Syriana

I know, this is going to make me look like the worst kind of zombie (actually, are there grades of zombies?), but I'm going to have to go along with Mr. G. Kenny again. Who wrote the longest review I can remember him writing, giving his point of view on why this film isn't as good as it seems on the surface. Four tales, interwoven, of people involved in oil in the Middle East. A lawyer (the awesome Jeffrey Wright), a CIA man (George Clooney), a financier/family man (Matt Damon), and a sheikh prince (the inspiring, understated Alexander Siddig). Some of their paths meet, and in the meanwhile, you hear a great deal about oil politics. Because of the quick jumps from storyline to storyline, the film as a whole can be difficult to comprehend. A result of the obvious fact that oil politics are intricate and that this is a "smart" script, meaning clever (sometimes too clever to follow). You won't leave the theater misunderstanding the gist of the screenplay, but you will wonder why it was filmed in the first place (which is Kenny's argument). This is a movie with such a dearth of hope that it leaves you far more depressed about the world we live in, and the America we live in, than before you went to see it. Look, everything about the situation in the Middle East sucks, and the one ray of sunshine in the film has so many powerful people and nations thwarting him that it makes no difference whether his politics are "right" or not. To top it off, at the end of the credits is the URL of a website (http://participate.net/oilchange) where you can learn and act on methods for bringing relief to the Middle East situation. How dare they show us this after leaving us with nothing? How dare they indicate that there is hope when they've just torn down every shred of hope they could muster? Feh. I was willing to give it a decent rating, mostly for performances (and the poster). But what would that serve?

year: 2005
length: 126 min.
rating: 2.5
IMDB link: http://www.imdb.com/title/tt0365737/combined

A Love Song for Bobby Long

Show offs. This film was made specifically for showcasing talent. Not that it isn't a sweet tale -- girl, having lost her mother, comes home and finds it is a home after all. Filmed in New Orleans, it has a nostalgic feel completely unintended by the filmmakers. Doesn't do quite enough to exude the stickiness of a summer on the bayou (what, is Scarlett Johansson too cool to sweat?) though. Although it does plenty to make obvious the sticky situation of three people -- Johansson, Gabriel Macht, and John Travolta -- not quite sure they all want to be together in the same house. Each character gets his or her showy (see above) speech, and they all do a splendid job at that. Problem is, the film leaves us at the 10 minute-to-go mark with a hastily tacked-on ending. All is suddenly bright and sunshiny which is bad enough, but worst of all we have a dangling plot line. Now, I'm one who loves unresolved endings, but the attraction between two of the principal characters is touched on here and there and finally ignored. If it's clearly a big enough deal to include in the first place, why not give us a hint as to its resolution? Too touchy a subject? Worse, you could interpret the last scene multiple different ways in this regard. I guess I'll have to read the book to know what happened.

year: 2004
length: 119 min.
rating: 3.0
IMDB link: http://www.imdb.com/title/tt0369672/combined

Kiss Kiss Bang Bang

The second this film was over, my friend turns to us and says "I could watch that film if it was four hours long." I say in return, "I want four more films just like this, right now." Hands-down, this is the best comedy I've seen this year. (OK, the comedy market wasn't that great this year, but bear with me.) It may be violent (dropping bodies off skyscrapers and NOT making the dumpster makes you wince) and it's slightly plot-heavy (whose daughter is the body in the car and whose daughter is the body in the shower?!), but it's so darn funny that who gives a rat's ass about those slight problems. Shane Black is back on top, this time as director as well as screenwriter (he wrote the undeniably awful Long Kiss Goodnight but opened everyone's eyes with the script for the original Lethal Weapon). What other screenwriter can take a classic caper plot, add in every cliché known to that genre, and at the same time include dialogue that has one character correcting another's parts-of-speech? I simply couldn't wait for the next scene, and it's been a depressingly long time since that has happened. Both main actors are the bee's knees -- Robert Downey Jr. as a petty thief suddenly thrust into the acting business and Val Kilmer as a gay cop (yes, the jokes are over-the-top, as if you couldn't guess) attempting to advise Downey Jr. on his acting role as a cop. Best of all, the lead actress Michelle Monaghan actually gets to show chops instead of being window dressing (well, she runs around in a pervy Santa suit for a bit; ignore if you're a girl). Obviously, I want you to run out and see this. If it's gone from your area, support Mr. Black by buying it on DVD. You will not be sorry.

year: 2005
length: 103 min.
rating: 4.0
IMDB link: http://www.imdb.com/title/tt0373469/combined